You can say it MARÍA PÉREZ ANGUSTIAS who came to the Plaza del Ayuntamiento de Valencia, who shot and who won. If something is going to remember his first mascletá in the Maestranza pyrotechnics will be by ear pain caused in many of the attendees: for power. It is well known for PIROART.COM readers here have never been friends but rather exaggerations subtleties. What happens to this Andalusian company is also pleased convinced the public and experts. And more so considering it was the first time I acted in this ring so special. Clearly, Jose Perez Aranda and his nephew, Luis Torrecilla Pérez on behalf of your extended family, they would not leave doubt about the suitability to be invited back next year. The audience, which burst into jubilation after being ravaged by the tsunami of the final sound, the Guadix adopted practically unanimously. In the same central balcony of Valencia City Council media, guests and showed authorities a clear sense of surprise and triumph approval. The expectation created by the arrival of these outsiders did not disappoint. And all that feeling of euphoria and overall enjoyment was due, above all, we insist, to power.
The fact is that the Granada wanted to leave few options for doubt and for that, more than half a square filled with the end. Up to 35 branches had the earthquake (each of which was scheduled to last 15 seconds). And all of them, on paper, were lit in just 6 seconds, overlapping each other in a final thunderous ground. All this was dressed, as for the rest of the trip, by air-launched 16 settings. The final run of the earthquake consisted of 5 strands of thunder in the number 3. Well, different sections were unmachined: they were loose, with own electric ignition. This concentration of such great fire in the earthquake, achieving an indescribable noise, what broke (what a shame!), The wonderful land that was doing construction in the body before the shot.
The show, which lasted 5 minutes flat, he had begun, initially without fireworks in Valencia. He went directly to the air with fire cracker and effects of color truenillos launched from across the square. Well, the main initial passing game was concentrated in the tip of the square area (North), while in the ass (South), had a rapid drip of thunder. He added red volcanoes and actually used the color, blow, to what we might consider a marking before going ashore.
After lowering the fire continued to accompany him with aerial shots that were rolling around the main square with red truenillos. Down began to pick up power and was well advanced by the withholding of thunder. It rose very successful grades began adding sound and cicadas in the air. The body was still growing very well fed and compact: up very well. It was a pleasure when one could guess its size below the almost exaggerated air added. And perhaps this excess air fire progressive rotations led some to believe that the fires had been flat, far from it. The body of the mascletá was aptly expressed in the increasing of the sound on earth. But it is certain that with air gave some impression of uniformity that does not benefit anything. Just before these, of course, they want noise at all times and at any price.
The least successful, however, was most likely to enter the earthquake because it formally became so disruptive and abrupt. Such was the amount of matching material in this place and time (many overlapping branches) that his power was overwhelming (of course), and so powerful it reached the ears did not hurt. And this at a show recreation, should not be. Trying to forget this we will say that although it was nice and growing. But what if all that were dosed best material for 1, go more smoothly and matching the end of the body above ground and 2nd, if I had done over the last earthquake to the delight of those who would have enjoyed more in proportions more affordable? In what is certain is that the magnitude of the earthquake was surprised (and hurt, insist), leaving the audience stunned. And it must be said, too excited.
Another of the novelties of the mascletá MARÍA PÉREZ ANGUSTIAS was coming ( "Factory") without final bombardment of thunder. In the previous visit to the fire area was struck that there was thunder in the carcasses South area. Torrecilla Luis Perez wanted to play only to "the mail", burning a fitting end to the earthquake (very powerful), at various times and finishing almost to the trance lead to the strongest supporters of the "noise". But then, this noise (which returned to bother your ears, for the second time in the trip), was superbly orchestrated a succession of rapid and accurate shots in which the blasts drew attention (apparently a little low for this place) of carcasitas format cracker "coup" (which was up twice, ending with them).
The result? A beginning not too clear air, a fantastic body and power ground (both things at once: those of enjoyment), excess air accompaniment too unifying all the fire, a post-earthquake heartbreaking (as that nice but too loaded), and a final air anything classic but well linked to the Earth before. But above all two things: the extraordinary work with trip times (when they had to be fixed) and the public feeling that the place was falling over. In that sense, just so he gave that talk then and it displayed surprising power, we must recognize that not Guadix will be forgotten with such a card. The mayor, Rita Barberá, began to jump on the balcony with Jose Perez Aranda celebrating the apotheosis that he had just offered to Valencia as a gratitude for being invited to the Fallas 2010. Surely, again. However, it should not be allowed to hurt the ears come in this square.
What will be forgotten either, but for other reasons, is to broadcast this mascletá by Channel 9. If we said yesterday in the shooting of the day 1 had shown one of the worst emissions that have made today, even better, is that they happened to put right at the end, a kind of wave of images from several cameras to the time, as if the "blitz" they wanted to do them because they feel he was doing little ANGUSTIAS MARÍA PÉREZ. Well what a day have chosen to reinforce the final air! We do not know great mind he must have thought such nonsense (rather than give an overview of the square), wanting to "help" the fireworks if that was shooting out little ... Visto lo visto, I fear that the surprises continue in future broadcasts. Experiments and do not return to bring the performer of recent years, please.
Duration:
5 minutes. Did not shoot in 2009.
Bron:
www.piroart.com
The fact is that the Granada wanted to leave few options for doubt and for that, more than half a square filled with the end. Up to 35 branches had the earthquake (each of which was scheduled to last 15 seconds). And all of them, on paper, were lit in just 6 seconds, overlapping each other in a final thunderous ground. All this was dressed, as for the rest of the trip, by air-launched 16 settings. The final run of the earthquake consisted of 5 strands of thunder in the number 3. Well, different sections were unmachined: they were loose, with own electric ignition. This concentration of such great fire in the earthquake, achieving an indescribable noise, what broke (what a shame!), The wonderful land that was doing construction in the body before the shot.
The show, which lasted 5 minutes flat, he had begun, initially without fireworks in Valencia. He went directly to the air with fire cracker and effects of color truenillos launched from across the square. Well, the main initial passing game was concentrated in the tip of the square area (North), while in the ass (South), had a rapid drip of thunder. He added red volcanoes and actually used the color, blow, to what we might consider a marking before going ashore.
After lowering the fire continued to accompany him with aerial shots that were rolling around the main square with red truenillos. Down began to pick up power and was well advanced by the withholding of thunder. It rose very successful grades began adding sound and cicadas in the air. The body was still growing very well fed and compact: up very well. It was a pleasure when one could guess its size below the almost exaggerated air added. And perhaps this excess air fire progressive rotations led some to believe that the fires had been flat, far from it. The body of the mascletá was aptly expressed in the increasing of the sound on earth. But it is certain that with air gave some impression of uniformity that does not benefit anything. Just before these, of course, they want noise at all times and at any price.
The least successful, however, was most likely to enter the earthquake because it formally became so disruptive and abrupt. Such was the amount of matching material in this place and time (many overlapping branches) that his power was overwhelming (of course), and so powerful it reached the ears did not hurt. And this at a show recreation, should not be. Trying to forget this we will say that although it was nice and growing. But what if all that were dosed best material for 1, go more smoothly and matching the end of the body above ground and 2nd, if I had done over the last earthquake to the delight of those who would have enjoyed more in proportions more affordable? In what is certain is that the magnitude of the earthquake was surprised (and hurt, insist), leaving the audience stunned. And it must be said, too excited.
Another of the novelties of the mascletá MARÍA PÉREZ ANGUSTIAS was coming ( "Factory") without final bombardment of thunder. In the previous visit to the fire area was struck that there was thunder in the carcasses South area. Torrecilla Luis Perez wanted to play only to "the mail", burning a fitting end to the earthquake (very powerful), at various times and finishing almost to the trance lead to the strongest supporters of the "noise". But then, this noise (which returned to bother your ears, for the second time in the trip), was superbly orchestrated a succession of rapid and accurate shots in which the blasts drew attention (apparently a little low for this place) of carcasitas format cracker "coup" (which was up twice, ending with them).
The result? A beginning not too clear air, a fantastic body and power ground (both things at once: those of enjoyment), excess air accompaniment too unifying all the fire, a post-earthquake heartbreaking (as that nice but too loaded), and a final air anything classic but well linked to the Earth before. But above all two things: the extraordinary work with trip times (when they had to be fixed) and the public feeling that the place was falling over. In that sense, just so he gave that talk then and it displayed surprising power, we must recognize that not Guadix will be forgotten with such a card. The mayor, Rita Barberá, began to jump on the balcony with Jose Perez Aranda celebrating the apotheosis that he had just offered to Valencia as a gratitude for being invited to the Fallas 2010. Surely, again. However, it should not be allowed to hurt the ears come in this square.
What will be forgotten either, but for other reasons, is to broadcast this mascletá by Channel 9. If we said yesterday in the shooting of the day 1 had shown one of the worst emissions that have made today, even better, is that they happened to put right at the end, a kind of wave of images from several cameras to the time, as if the "blitz" they wanted to do them because they feel he was doing little ANGUSTIAS MARÍA PÉREZ. Well what a day have chosen to reinforce the final air! We do not know great mind he must have thought such nonsense (rather than give an overview of the square), wanting to "help" the fireworks if that was shooting out little ... Visto lo visto, I fear that the surprises continue in future broadcasts. Experiments and do not return to bring the performer of recent years, please.
Duration:
5 minutes. Did not shoot in 2009.
Bron:
www.piroart.com
