Mascleta Pirotecnia Zarzoso 15/03/2015

Kobajo

FPM Filmer
Review en beeld materiaal piroart.com

Hodaviah retain retinal image operators Pyrotechnics Height trying to save the shot last year that had been disabled by heavy rainfall hours ago. Well, this Zarzoso year and yours came forward to recoup and have succeeded, with which was probably the best shot that reminds of this firm in the square.

After a strake of rigor, has opened fire with some digital effects very clear and easy to understand structure. From the side of City Hall shooting volcanadas siren with streamers while on the side of Post replica dripping with thunder was done. After several repetitions, a past thunder on the floor and served closed the whole joint to the next. Now, the pattern was the same but by switching the sirens whistles. New Thunder pass to delimit and from the same pattern but with cicadas.

Before turning to earth, a past twice more intense thunder and a small coup have served marking. Already on the ground, Altura has submitted a fire, but has started to stumble with a retention of thunder canyeta, has recovered in subsequent phases. From the second (of the five retentions) shot has gained in vividness growing nicely and with an aerial fire support provided string. Throughout this central part have shot streamers and whistles, initially, then switching to cicadas. Never air treads groups but this has not lost its personality and its role in the shooting. Difficult balance to achieve.

Since the last retention, which came loaded with twenty groups, has naturally linked to the earthquake. This, as usual in Zarzoso shots, had ridden far more widespread than I used by other companies. Although consisted of four phases, it only had arranged an elbow in the southern part being thus, the first two and last two phases connected linearly, no elbows.

The branches combined thunder flown and fuzing (four, seven, nine twelve branches). This type of material has advantages but also its complications. On the one hand, favors the transition between the last retention and earthquake since the spread of fire through the branches is not very fast and, most importantly, only half of thunder explode at first. Moreover, in the final moments of the earthquake, when flown thunder have already erupted and espoletados are only a small decrease in solving difficult sound occurs. So basically this is what we have seen in the earthquake today: an elegant and soft entry with the correct development but who reaches its end has declined slightly.

As a final firing, there is provided a canon bombardment followed by a digital signature. Better the first than the second. The bombing has been rapid, intense and concise, as it should, without losing the force with which comes the shot. Streamers with cicadas and thunder, again streamers and thunder. Very well. Now, heading, although it has been clear, concise proved little. They have risen several times screens cicadas from the side of Correos followed by bursts of thunder streamers and past on the floor. A stroke of thunder foam has put an end to the shooting.

Unpinned Espina

I can not erase from memory the image of Paulino Zarzoso trying to rekindle, and outside, your mascletá last year, in the rain. There it was, a botafuego, on a bend of the earthquake, with the bombing suddenly hoisted on his back, a few meters, touching almost ... What courage! Undeterred. One attempt to mascletá 2014 left them a thorn nailed it took yesterday. The Zarzoso Antonio Paulino and brothers made which may have been his best shot in recent years in the Fallas.

They met up with the ritual of the initial Valencian fireworks, although not respect it until its end, since the digital red curtain came forward. The buzzing and green whistle with truenillo were nice but I liked especially the double blows of cicadas in curtain back truenillos frieze. He repeated this making it easily identifiable to the public. What is meant is valued more. And not to make many schema changes unless they are familiar with each other. Zarzoso outlined his fire here. His performance was digitized ignition fine and clean production: very good. A knock on the floor served as unusual but perfect marking the end of the air early stage.

The beginning of the fire was the least accomplished strings: the first retention in canyeta is desajustó. The same pyrotechnic recognized then that "there has been us, was not taken properly the time." Indeed, a break that should not have occurred was noted. But from the fires of groups in the second retention, mascletá was longer alone. He ate well, was accompanied by green and red fuses on the floor and whistles and color truenillos above. He got volcanoes single color red alternating with other color but also serpentine truenillo.

In the third retention changed the accompaniment of cicadas, to gain air loudness. Down he went well and properly fed the fire until it reached the earthquake that naturally lit (North-South), and mechanized (connected with wick). Very well done, especially bearing in mind that this earthly ecstasy that was long, began quietly, smoothly. Antonio Zarzoso told me, with a lot of reason "is that the thinner is between prettier note is uphill to do" to reach its zenith. A double ration preceded traditional air curtains and shot in the square of a signed end, digitized, large but controlled and fluffy completion (right), who made his mascletá shut potently round.


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