First Sunday of Fallas, Gori in cartel (as every first Sunday of March), and the place packed. Gregorio Juan Moreno wanted to say goodbye to his audience and he did with a classic shot. More so than he usually does. This time dispensed mechanized boxes of colored smoke, the cracker and other mascletá frills and reduced to its essence. And it did not take more. The pyrotechnic Mislata demonstrated its expertise with a show full of small technical details that have highlighted their professionalism.
Began, how could it be otherwise, with a long fireworks fire that led to the first of the aerial effects: a coup labeling truenillo snorers and topped with a burst of thunder warning. The first air stream was slow, with whistles and thunder, without fanfare. In the second, the whistles were replaced by colored truenillos while dribbling earned thunderous intensity.
In the third, were reinforced and added thunder effects of snorers. It was at this time when they joined trachytes ground the old way. This is a traditional fireworks effect rarely seen today. Gori has recovered for mascletá today but has not given a high profile since, being shot with air fire, their presence has gone largely unremarked. Before turning to land a blow and thunder truenillos served as accurate marking.
The main body of the mascletá had five holds, the latest being bent. The air was very successful accompaniment modified in each of the deductions giving variety to the shooting.
The first retention was accompanied by whistles and thunder,
in the second the whistles were changed truenillo.
Already in the third, added snorers who would stepping up to the last hold.
As I have said on other occasions, the use of snorers at the end of the show seems very successful as these, with their sound torn, printed a faster pace and marking the whistles, intensifying the effect of acceleration of the shot . The fire strings began quietly and properly fattened. The transition from one to another retention became smooth and without fanfare, with no evidence of lightning strike occurs sometimes when entering the fire in all groups together.
However, the arrival of the last hold itself became apparent. And with malice aforethought. This was folded and had 14 groups (doubles), many of them of Thunder 6. But more importantly, in this retention, reduced delays Gori there between thunder thereby increasing firing rate of these. It was really powerful and intense. A great prelude to the earthquake was coming.
This year, an earthquake prepared Gori past five branches with a scheme of 3, 5, 7, 9 and 15. The lighting was done by hand and from the southeast corner of the square (Telefonica) ie without retaining continuity with the past. The entry was smooth, perhaps too much. Normally we show abrupt inputs to earthquakes and the opposite happened here. The timing of the blasts has been well linked to retention last but not the intensity of these. Since in the final moments of the central body punchers density, high power or thunder, was high, the occurrence of the earthquake with smaller caliber thunder became apparent. This effect was increased by not heavy fire continued to air that accompanied the shot so far. But this is no more than a tiny annotation prepared for the massive earthquake.
The earthquake was long, growing quietly and without evidence elbows and arriving at its final run, to a surprising intensity. Truly beautiful. The bombing followed the canonical order of streamers and thunder. It was long and powerful. No frills. To the end, Gori had prepared a coup mounted only Estopin thunder without electric igniters. This was shot in two stages: the first with candles and truenillo snorers turbo and the second with a great thunder downloads. Between them there was a slight pause surely sought by the fireworks but perhaps would have been more rounded if these two shots had been linked.
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ON KEY PERSONNEL
Mikel Pagola Ervin, director PIROART.COM
Gori retires or, at least, will take "a sabbatical", told us. "See, no flowers," he said, as he entered the city after his shot balcony. By this he meant what I had promised in January in my interview juicy on the grounds that in Valencia, the next day they would honor him for his 50 years of business. I was not going to use Chinese boxes, passed me a preview. And I've been a joy to see, in place, this has been the case in this "last" holding her own in the Cathedral of Fire Day. And entrecomillo the "last" because he refers to as "gap year" and not withdrawn.
Personally I do not know if you can remove Gori pyrotechnic drug altogether despite having never spent this obligation, as he said in that interview. In fact I will be remembered that July 9, 2008 in which he shot at the San Fermin precisely, according to the Council of Pamplona, "because it is going to retire." And here follows. And to continue, continue. Is fit and could take this shot fallero and as a mere amusement and be in the Fallas until the physical and mental strength will fail. In a way this recall today is like the last Pope of Rome: he decides to go when you really could go on. Although I know that, behind the scenes, has offered give way (the first Sunday in March), a young fireworks ... ("And so far I can read," I would say that).
In interviews he has given this afternoon at various radii on the balcony Municipal me I have been phrases like "the feeling is put in factory" or "noise but no sound is well run." And the above "no flowers", which was a compendium of "no digital, no Chinese boxes without enrevesamientos rare, no items". With nothing more than necessary. Austere but authentic. Valencia More than ever.
Other years, in his shots, I was surprised how free the media spoke generalists "traditional". As if the terrestrial mascletás other was not. And as if that added to Chinese boxes were a thing "Tota life." Well, I'll take the good feeling of seeing a truly authentic Gori, no flowers.
True, for my personal taste accompaniment part curtail air at the time of entry of the earthquake is not the prettiest. I think the highlight has to be coated at least as much as the history will not lead to a feeling of "empty air" at a major crossroads of the show. I guess that's respect for this time of consecration but not lying if I say that I prefer when earthquakes are accompanying and the rest of the trip overland. What perhaps "no" is more authentic or more at the source? Then accompaniments than enough also in much of the previous shot.
And yet, if I liked a lot of it entering Gori earthquake with style and without exaggeration. I remember that at some soiree you can not remember when I was critical of the provinces (between 1997 and 2000), coincided with "Gori" after the failures. "You know," I said, "that your mascletá is what I liked most of these faults" and explained that it was with excitement that I caused the whole course, but especially so nice and how fine it did enter the earthquake scene: tactfully. With moderation and "Coneixement".
Well, as of today I will be in mind also the whole retina: the demonstration of power to fill all this space exceptional Town Hall Square and the entire length of time without extranjerismos mascletá (handle Chinese) and "without flowers "digital. Mascletá pure and simple, ladies and gentlemen, the culmination of a career of many years, never better, soldiering.
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