Review door Piroart.com
From the province of Castellón, more specifically from the village of Altura, came the signing Zarzoso is also sometimes known (and was widely publicized at the time) as "Height Pyrotechnics. The ninth mascletá official Fallas 2010 (including suspended from Alicante Ferrández), of the planned program was preceded by a magnificent gesture. Zarzoso Paulino Lara (better known as Pol), and his team wanted to take this to a collective "that is often forgotten because they do not remember ever" in the words of Pol It was the disabled. Next to the space reserved for guests of every day shooting fireworks in the square (compound known in the scene as "the yard"), another area for people with mental or physical handicap. They have there a place free from shakes and easy access to enjoy the shooting. Well the pyrotechnic Zarzoso wanted to have a detail, to these people. So, about fifteen minutes before lighting the fuses, they approached the fence and told that they spent the mascletá and gave them some shirts Zarzoso Pyrotechnics. The divided between joy and surprise of those who were being honored in this way. This gesture, so simple, was really nice. Every detail, really. We did not expect anyone, let, disabled people who received the shirts. You can see pictures of the time of the distribution below.
Minutes later, at 14 hours, on time, started the fire. But before I comment on that, just get a server to the strike zone, on a previous visit I make mandatory, encountering the magnificent fireworks and friend Francisco Barqueros Richarte (Currupipi), it was gutted mascletá data before I had time to ask, "as we know what you're going to ask, here goes: 29 groups in four deductions, 32 earthquake" (branch), "70 volcanoes and 300 thunder warning only for the final," he hastened say smiling. And then I realized that the earthquake would be operated from the corner of Post (not going, therefore, machining the body of the mascletá). Would have 4 passes (with, therefore, three elbows), and they were going to have a total of 3, 5, 10 and 14 branches. Grow, hence a score of 2, 5 and 4 branches for each new pass. Well. I did not notice at that time but growth was not "growing" (for going to add 5 to add 4 branches in the last two passes). And seeing that finish talking here about "... but you notice the space in the leap from the center of the square until it enters the post earthquake ..." It warned me. The fact is that once the time came for their grand entrance, the earthquake was initiated so slowly that the jump sound caused by the increased speed with which it comes, is less than usual. That is, the last groups will be holding group velocity, ie very slow. And the earthquakes falling fast. Casar both to achieve a "post-earthquake" pretty is very difficult. But as Height Estopín used a particularly slow in its mascletá, they came in handy (or it looked so) to enter the quake slower than is usual in other pyrotechnics and, despite the fire was still in the middle of the square, moving southward, succeeded in getting the earthquake (which rose from the post office to the north), is integrated much better than normal when you fire this leap forth.
Explained this, we will continue now at the beginning of the show. It began with a fireworks fuse Valencian which served for the first effects of green truenillos whistles (which fell a bit, taking the path "a staff"). This was also a trickle of three thunders, to highlight the performance with more sound. After this came a realization that was to detonate digital thunder ashore on the side of City Hall. After volcanoes rose from the mail-boat side (in the East). It was a replica defense had its back to the City Council (the West). Then both integrated well by achieving a total that worked fine, really. After the piece came to shooting digital "classic" to provide a second home air truenillos consisted of crickets and red (they did go to the point, without a staff). Both phases were made initial air from the north end of the square (and digital, sandwiched between them, in the long sides, as already mentioned). The idea was very good to comply with two air diferenes and meter, including a digital part.
But I am not clear is whether air marking was beginning to indicate that the land (which actually had been an outburst of the second plane). Is that there was a certain amount of truenillos that as the air did not stop then (upon entering the land), was difficult to know whether it was premeditated like staining. The fact is that the land began to rise very well and was accompanied by red and whistles truenillos, who then joined cicadas. The body was lively and well filled until the time when the earthquake began, as we have said, began in the corner post. As he entered slowly faded speed change and subsequent output power, mixing well with the tails of the last groups. In this sense we can say that went very well (and considering that began on the opposite side). The correct input is really special character if all the earthquake then acts increasingly. In this case was that, somehow, the feeling of it was to "shut down" toward the end (or declined somewhat slowed, apparently). Therefore it is not necessary to reach climax at this point that some spectators anticipated.
Anyway, then there truenillos and whistles plus a barrage of thunder later. But Zarzoso went further and continued firing, and as a heading with whistles and truenillos (again), another volley of thunder (long), more whistles rotating in the square, cicadas and, after a brief delay or empty, more thunder in another round too long (short but somewhat fluffy), but with final accurate: tight enough. Only on a couple of thunder air (one on the east side, higher, and one in the West, lower), which exploded outside time, like a second after finishing the last blow the first one and another second later the second.
The fact is that by removing these thunders that detract from the cleanliness of the show that these endings were something larger and perhaps lacking in strength (type "whiplash"), the idea of how to structure the mascletá Zarsoso I find very interesting. The Estopín, yes, he played perhaps his favor upon entering the earthquake but against during the process (during shutdown, as stated above). But the digital management was very correct, and the idea to place it between the two main air was better. And, subsequently integrated into the final flourish as well.
From the province of Castellón, more specifically from the village of Altura, came the signing Zarzoso is also sometimes known (and was widely publicized at the time) as "Height Pyrotechnics. The ninth mascletá official Fallas 2010 (including suspended from Alicante Ferrández), of the planned program was preceded by a magnificent gesture. Zarzoso Paulino Lara (better known as Pol), and his team wanted to take this to a collective "that is often forgotten because they do not remember ever" in the words of Pol It was the disabled. Next to the space reserved for guests of every day shooting fireworks in the square (compound known in the scene as "the yard"), another area for people with mental or physical handicap. They have there a place free from shakes and easy access to enjoy the shooting. Well the pyrotechnic Zarzoso wanted to have a detail, to these people. So, about fifteen minutes before lighting the fuses, they approached the fence and told that they spent the mascletá and gave them some shirts Zarzoso Pyrotechnics. The divided between joy and surprise of those who were being honored in this way. This gesture, so simple, was really nice. Every detail, really. We did not expect anyone, let, disabled people who received the shirts. You can see pictures of the time of the distribution below.
Minutes later, at 14 hours, on time, started the fire. But before I comment on that, just get a server to the strike zone, on a previous visit I make mandatory, encountering the magnificent fireworks and friend Francisco Barqueros Richarte (Currupipi), it was gutted mascletá data before I had time to ask, "as we know what you're going to ask, here goes: 29 groups in four deductions, 32 earthquake" (branch), "70 volcanoes and 300 thunder warning only for the final," he hastened say smiling. And then I realized that the earthquake would be operated from the corner of Post (not going, therefore, machining the body of the mascletá). Would have 4 passes (with, therefore, three elbows), and they were going to have a total of 3, 5, 10 and 14 branches. Grow, hence a score of 2, 5 and 4 branches for each new pass. Well. I did not notice at that time but growth was not "growing" (for going to add 5 to add 4 branches in the last two passes). And seeing that finish talking here about "... but you notice the space in the leap from the center of the square until it enters the post earthquake ..." It warned me. The fact is that once the time came for their grand entrance, the earthquake was initiated so slowly that the jump sound caused by the increased speed with which it comes, is less than usual. That is, the last groups will be holding group velocity, ie very slow. And the earthquakes falling fast. Casar both to achieve a "post-earthquake" pretty is very difficult. But as Height Estopín used a particularly slow in its mascletá, they came in handy (or it looked so) to enter the quake slower than is usual in other pyrotechnics and, despite the fire was still in the middle of the square, moving southward, succeeded in getting the earthquake (which rose from the post office to the north), is integrated much better than normal when you fire this leap forth.
Explained this, we will continue now at the beginning of the show. It began with a fireworks fuse Valencian which served for the first effects of green truenillos whistles (which fell a bit, taking the path "a staff"). This was also a trickle of three thunders, to highlight the performance with more sound. After this came a realization that was to detonate digital thunder ashore on the side of City Hall. After volcanoes rose from the mail-boat side (in the East). It was a replica defense had its back to the City Council (the West). Then both integrated well by achieving a total that worked fine, really. After the piece came to shooting digital "classic" to provide a second home air truenillos consisted of crickets and red (they did go to the point, without a staff). Both phases were made initial air from the north end of the square (and digital, sandwiched between them, in the long sides, as already mentioned). The idea was very good to comply with two air diferenes and meter, including a digital part.
But I am not clear is whether air marking was beginning to indicate that the land (which actually had been an outburst of the second plane). Is that there was a certain amount of truenillos that as the air did not stop then (upon entering the land), was difficult to know whether it was premeditated like staining. The fact is that the land began to rise very well and was accompanied by red and whistles truenillos, who then joined cicadas. The body was lively and well filled until the time when the earthquake began, as we have said, began in the corner post. As he entered slowly faded speed change and subsequent output power, mixing well with the tails of the last groups. In this sense we can say that went very well (and considering that began on the opposite side). The correct input is really special character if all the earthquake then acts increasingly. In this case was that, somehow, the feeling of it was to "shut down" toward the end (or declined somewhat slowed, apparently). Therefore it is not necessary to reach climax at this point that some spectators anticipated.
Anyway, then there truenillos and whistles plus a barrage of thunder later. But Zarzoso went further and continued firing, and as a heading with whistles and truenillos (again), another volley of thunder (long), more whistles rotating in the square, cicadas and, after a brief delay or empty, more thunder in another round too long (short but somewhat fluffy), but with final accurate: tight enough. Only on a couple of thunder air (one on the east side, higher, and one in the West, lower), which exploded outside time, like a second after finishing the last blow the first one and another second later the second.
The fact is that by removing these thunders that detract from the cleanliness of the show that these endings were something larger and perhaps lacking in strength (type "whiplash"), the idea of how to structure the mascletá Zarsoso I find very interesting. The Estopín, yes, he played perhaps his favor upon entering the earthquake but against during the process (during shutdown, as stated above). But the digital management was very correct, and the idea to place it between the two main air was better. And, subsequently integrated into the final flourish as well.
