Review van Piroart.com
The today was another great evening at "La Bombonera" of pyrotechnics Peninsula. The firm borrianense Martí (in the province of Castellón), offered that perhaps has been its most resounding performance in this square. By this I mean that was, in my opinion, the best yet of this home failures in global terms. Marti looked headed by Reyes, those of Borriana did a terrific job on a day that had left them, apparently, very bad. This is because it was raining throughout the night and morning. Upon reaching the place could not ride. Only after ten-thirty in the morning (a little over three hours for the launch), is when the weather took pity on them to stop dropping water. "I do not know how we've done, the truth ... I'm still amazed that we could ride around in three hours," said the firework shoots eight of March by this date coincide with the celebration of International Women's Day worker. A team of ten people were able to roll out against the clock in 180 minutes.
There is not ended. Few minutes before, municipal authorities (in order of Manolo hall adviser Camarasa Navalón), they move the table, which was shot almost on the road, towards the inside of the sidewalk that is before the entrance to the enclosure. This was because they know that, at the end, the audience would throw farther above and would be more "protected" from the fans. The fact is that, with the nerves to the surface, the whole family Martí-Granados (marriage and two children), could not believe that everything was apparently about to begin. Then came the second hour of the afternoon ...
Snacks, according to the canons more classics, Marti Valencian fireworks exploded one of the most authentic since it was thunder end (which was a bit stuck). In other cases the fireworks light up, in turn, the first air development artifacts. Here it became clear that this was the fulfillment of a formality, in my opinion well performed. After that came an aero-terrestrial digital implementation which would make this mascletá already from this home, in a work of modern pyrotechnics. It touches on what someone like Carlos Granados Marti (eldest son of Kings), who was responsible for "digital" in this family shot.
Appeared green volcanoes that swept the fence, from ships to the post office, in progressive movement. And then the role of fire fell to the ground momentarily to offer a round the square around the perimeter and close the green movement with other volcanoes to the east. After that came an air phase and more traditional, with drip truenillos and thunder. In a second phase added whistles and quickened the pace. Very good because it drew a growing structure, which was desirable. To round off the pre-start mascletá (land, that is), the issue reappeared technology and there was a round trip of volcanoes truenillos again from ships to the post office. This became clear as the scene for the special things would be the eastern part of the square. That would focus the things produced there. And this would be evident, as we shall see, at the end of the show. The case is that the latter route round by the fence marking served before entering Earth. The idea, really, was good. Since the start and began air, finished the same way. There was a strong staining but does not lack. The case is to show, as did Marti, which controls the times and knows what he's doing now and what will do in the next step. This marking was enough visual anchor to fulfill the task entrusted to him, while twin behind (to launch) the total air package had been offered as overture. It was clear also that if you had started with something digitally, end up with something of the same type.
Well after the marking and very well together in a timely manner, Bernardo Granados Romero (husband of Kings), gave the mascletá ignition itself. The thunder had flare as downloads on and fill you used a nice diamond flocked to the ground. Very curious and I wonder if seen in the square (my memory is not given to much). All this, colorist, was reinforced loudly on the air with an accompanying truenillos and "sharpshooters" moderate tone. The fact is that this effect of wine or soft cicadas painted for the first part of the earthly body, since it interfered with the role, imperative, the terrestrial fire (which has to be the main here). And let not supplanted mascletá appreciate that unfolded in a lively and plump. Earth, whose thunder wallpaper were all white, was very nice and would build on a correctísimo: rising gradually and there was very good. As silk. Top fire accompanied the volcanoes of color on each side of the square.
The mascletá grew to meet the time of entering the earthquake. This year Bernardo Romero Granados, used 3 strands of entry, rose to 4, then 6 and finished with 8, being a total of 21. Other years had worn 4/6/11 (21 well). The order of the factor, in pyrotechnics, it does alter the product and today it showed. This year's entry to the earthquake of Marti was spectacular: very, very pretty. Entering with less force, more controlled and "subtle" with less power, managed to splice the shot well above this part mascletá summit. The earthquake was not appreciated nearly where it began (it was only discernible change in velocity of Earth to the earthquake, which is almost impossible to save). The difference with an earthquake that comes suddenly, without reference to their terrestrial history, is brutal. Yesterday Marti, with this performance measure and much studied, wrote one of his golden pages in the Plaza del Ayuntamiento. It was delightful to see how the fire was slipping between the legs definitely gaining strength to thunder butt. Furthermore, this ensured that the earthquake was longer than usual in this house on campus. So we could enjoy more and longer. Playing on the words of my good friend, confidant and expert Juan Jose Sola Palmer, "is enjoyed not even notice when entering the earthquake and surprise, at some point, because it is in full swing.
And we are not only theoretical but also the theme of this art hardened professionals who feel the same way. The words of the pyrotechnic charge of the entire land portion of the great mascletá today, Bernardo Romero Granados, leave no doubt: "It is true that I realized, as he was entering the earthquake, so suavito, that people has moved more than usual, not knowing if he started the final or not started. For the surprise of feeling it grow little by little "from the last groups of the last hold (the fifth). "I've noticed in the audience: it feels different." And so it was: a show with some very nice and round Earth since formed a complete whole, defining some ways work and achievements. Very good.
Summit ended so good performance in the show, came the first effects of completion of the air (before even the close of the earthquake, so that they overlap). The fact is that, as we noted at the beginning, there was a final digital actually came after the mandatory (or traditional) usual aerial bombardment. There digital tours, thunder, and blows truenillos several rounds and juggle varied. Perhaps this, despite the cumbersome and worked, was not as tasty (as if it was the "ground + link + earthquake").
At the end there was almost too much else running one after another and even some alliteration and relish. Good, if brief, twice good, they say. In line with this same comment I made post-mascletá Carlos Granados Marti in the Plaza, this promising youngster told me, giving me the reason in some way (I say), his uncle (brother looked Martí Pascual Reyes), you taught "not to put more sugar in this pie is sweeter, but the contrary may become more luscious. As it happened, somehow, with the lengthy closure of the show. Closures ensued, outbursts, headings, signatures, refinales, endings and I do not know what else so that it lost track of the rhythm and intent of the order of succession of things. It was understood by both up and down. Not that I was wrong (technically went all round: there was nothing and everything was apparently the site). The problem is aesthetic only. Artistic concept. Of intent.
However, after the humbling, I must be honest and say I was very pleasantly surprised, in this digital real magic forest, the use of (up to two times), a "screen" of digital thunder at three heights ranging brackets placed on the fence facing east. He used so the wall of protection (so it seemed from the Town Hall), and canvas on which to "paint" tours and moves (they do, each of them, logical, understandable and clear). The problem was not different things but try to show displayed so many things and repeat them and put it all together in one (obviously) final long artistic (as we call section is where the fireworks, in the most personal, stamp and signature outside of the mascletá that would be proper). Had cut in half, would have been worth double. I could identify up to three different blocks of heading (each block with various movements on the ground, it also has upward-rising effects such as "act" - and in air). In these three blocks were at least up to two shot (several rolling) to the square. Well, well, I do not propose to make the transcript of the entire digital symphony offered by Granados because I can do that in a year when their work is correct and accurate as I wait to dissect it to emphasize its virtues. And I know that one day because the kid is a diamond in the rough that is beginning to be polished. Self-control. I'm just saying that. Apostille, finally, after so much 'move' autograph in the air, and land in the middle, the last movement, the last production, should have been sharp, dry. Hermetic. And it was not as fringe left in the final blow. After so much history and final point should be no erasures.
As I have written to tell quits Carlos Granados Marti everything that I outlined in person, I have to go back and say that I congratulate this company for giving a big show mounted in only three hours, for having (in my opinion) his best and most complete performance in this square, and by the solemnity and expertise with leading terrestrial fire. And, especially, the spectacular, controlled entry and strong earthquake (long addition), which made us enjoy and thrill with a mascletá very good, which no doubt still improve in coming years as a set of "mascletá-show" . And it will, if anything, more interesting with digital inputs, at its true and perfect, they will round up quite the already fantastic job today.
PD: Oh, yes ... mascletá is the longest so far as we Falles 2010. And seeing the durations of other years (PIROART.COM carries with recordings by measuring the time since 2007), is the fifth longest in the preceding three years and until today (which is not bad at counting to be about 60 mascletás).
The today was another great evening at "La Bombonera" of pyrotechnics Peninsula. The firm borrianense Martí (in the province of Castellón), offered that perhaps has been its most resounding performance in this square. By this I mean that was, in my opinion, the best yet of this home failures in global terms. Marti looked headed by Reyes, those of Borriana did a terrific job on a day that had left them, apparently, very bad. This is because it was raining throughout the night and morning. Upon reaching the place could not ride. Only after ten-thirty in the morning (a little over three hours for the launch), is when the weather took pity on them to stop dropping water. "I do not know how we've done, the truth ... I'm still amazed that we could ride around in three hours," said the firework shoots eight of March by this date coincide with the celebration of International Women's Day worker. A team of ten people were able to roll out against the clock in 180 minutes.
There is not ended. Few minutes before, municipal authorities (in order of Manolo hall adviser Camarasa Navalón), they move the table, which was shot almost on the road, towards the inside of the sidewalk that is before the entrance to the enclosure. This was because they know that, at the end, the audience would throw farther above and would be more "protected" from the fans. The fact is that, with the nerves to the surface, the whole family Martí-Granados (marriage and two children), could not believe that everything was apparently about to begin. Then came the second hour of the afternoon ...
Snacks, according to the canons more classics, Marti Valencian fireworks exploded one of the most authentic since it was thunder end (which was a bit stuck). In other cases the fireworks light up, in turn, the first air development artifacts. Here it became clear that this was the fulfillment of a formality, in my opinion well performed. After that came an aero-terrestrial digital implementation which would make this mascletá already from this home, in a work of modern pyrotechnics. It touches on what someone like Carlos Granados Marti (eldest son of Kings), who was responsible for "digital" in this family shot.
Appeared green volcanoes that swept the fence, from ships to the post office, in progressive movement. And then the role of fire fell to the ground momentarily to offer a round the square around the perimeter and close the green movement with other volcanoes to the east. After that came an air phase and more traditional, with drip truenillos and thunder. In a second phase added whistles and quickened the pace. Very good because it drew a growing structure, which was desirable. To round off the pre-start mascletá (land, that is), the issue reappeared technology and there was a round trip of volcanoes truenillos again from ships to the post office. This became clear as the scene for the special things would be the eastern part of the square. That would focus the things produced there. And this would be evident, as we shall see, at the end of the show. The case is that the latter route round by the fence marking served before entering Earth. The idea, really, was good. Since the start and began air, finished the same way. There was a strong staining but does not lack. The case is to show, as did Marti, which controls the times and knows what he's doing now and what will do in the next step. This marking was enough visual anchor to fulfill the task entrusted to him, while twin behind (to launch) the total air package had been offered as overture. It was clear also that if you had started with something digitally, end up with something of the same type.
Well after the marking and very well together in a timely manner, Bernardo Granados Romero (husband of Kings), gave the mascletá ignition itself. The thunder had flare as downloads on and fill you used a nice diamond flocked to the ground. Very curious and I wonder if seen in the square (my memory is not given to much). All this, colorist, was reinforced loudly on the air with an accompanying truenillos and "sharpshooters" moderate tone. The fact is that this effect of wine or soft cicadas painted for the first part of the earthly body, since it interfered with the role, imperative, the terrestrial fire (which has to be the main here). And let not supplanted mascletá appreciate that unfolded in a lively and plump. Earth, whose thunder wallpaper were all white, was very nice and would build on a correctísimo: rising gradually and there was very good. As silk. Top fire accompanied the volcanoes of color on each side of the square.
The mascletá grew to meet the time of entering the earthquake. This year Bernardo Romero Granados, used 3 strands of entry, rose to 4, then 6 and finished with 8, being a total of 21. Other years had worn 4/6/11 (21 well). The order of the factor, in pyrotechnics, it does alter the product and today it showed. This year's entry to the earthquake of Marti was spectacular: very, very pretty. Entering with less force, more controlled and "subtle" with less power, managed to splice the shot well above this part mascletá summit. The earthquake was not appreciated nearly where it began (it was only discernible change in velocity of Earth to the earthquake, which is almost impossible to save). The difference with an earthquake that comes suddenly, without reference to their terrestrial history, is brutal. Yesterday Marti, with this performance measure and much studied, wrote one of his golden pages in the Plaza del Ayuntamiento. It was delightful to see how the fire was slipping between the legs definitely gaining strength to thunder butt. Furthermore, this ensured that the earthquake was longer than usual in this house on campus. So we could enjoy more and longer. Playing on the words of my good friend, confidant and expert Juan Jose Sola Palmer, "is enjoyed not even notice when entering the earthquake and surprise, at some point, because it is in full swing.
And we are not only theoretical but also the theme of this art hardened professionals who feel the same way. The words of the pyrotechnic charge of the entire land portion of the great mascletá today, Bernardo Romero Granados, leave no doubt: "It is true that I realized, as he was entering the earthquake, so suavito, that people has moved more than usual, not knowing if he started the final or not started. For the surprise of feeling it grow little by little "from the last groups of the last hold (the fifth). "I've noticed in the audience: it feels different." And so it was: a show with some very nice and round Earth since formed a complete whole, defining some ways work and achievements. Very good.
Summit ended so good performance in the show, came the first effects of completion of the air (before even the close of the earthquake, so that they overlap). The fact is that, as we noted at the beginning, there was a final digital actually came after the mandatory (or traditional) usual aerial bombardment. There digital tours, thunder, and blows truenillos several rounds and juggle varied. Perhaps this, despite the cumbersome and worked, was not as tasty (as if it was the "ground + link + earthquake").
At the end there was almost too much else running one after another and even some alliteration and relish. Good, if brief, twice good, they say. In line with this same comment I made post-mascletá Carlos Granados Marti in the Plaza, this promising youngster told me, giving me the reason in some way (I say), his uncle (brother looked Martí Pascual Reyes), you taught "not to put more sugar in this pie is sweeter, but the contrary may become more luscious. As it happened, somehow, with the lengthy closure of the show. Closures ensued, outbursts, headings, signatures, refinales, endings and I do not know what else so that it lost track of the rhythm and intent of the order of succession of things. It was understood by both up and down. Not that I was wrong (technically went all round: there was nothing and everything was apparently the site). The problem is aesthetic only. Artistic concept. Of intent.
However, after the humbling, I must be honest and say I was very pleasantly surprised, in this digital real magic forest, the use of (up to two times), a "screen" of digital thunder at three heights ranging brackets placed on the fence facing east. He used so the wall of protection (so it seemed from the Town Hall), and canvas on which to "paint" tours and moves (they do, each of them, logical, understandable and clear). The problem was not different things but try to show displayed so many things and repeat them and put it all together in one (obviously) final long artistic (as we call section is where the fireworks, in the most personal, stamp and signature outside of the mascletá that would be proper). Had cut in half, would have been worth double. I could identify up to three different blocks of heading (each block with various movements on the ground, it also has upward-rising effects such as "act" - and in air). In these three blocks were at least up to two shot (several rolling) to the square. Well, well, I do not propose to make the transcript of the entire digital symphony offered by Granados because I can do that in a year when their work is correct and accurate as I wait to dissect it to emphasize its virtues. And I know that one day because the kid is a diamond in the rough that is beginning to be polished. Self-control. I'm just saying that. Apostille, finally, after so much 'move' autograph in the air, and land in the middle, the last movement, the last production, should have been sharp, dry. Hermetic. And it was not as fringe left in the final blow. After so much history and final point should be no erasures.
As I have written to tell quits Carlos Granados Marti everything that I outlined in person, I have to go back and say that I congratulate this company for giving a big show mounted in only three hours, for having (in my opinion) his best and most complete performance in this square, and by the solemnity and expertise with leading terrestrial fire. And, especially, the spectacular, controlled entry and strong earthquake (long addition), which made us enjoy and thrill with a mascletá very good, which no doubt still improve in coming years as a set of "mascletá-show" . And it will, if anything, more interesting with digital inputs, at its true and perfect, they will round up quite the already fantastic job today.
PD: Oh, yes ... mascletá is the longest so far as we Falles 2010. And seeing the durations of other years (PIROART.COM carries with recordings by measuring the time since 2007), is the fifth longest in the preceding three years and until today (which is not bad at counting to be about 60 mascletás).
