The shooting of "Nit del Foc" 2011 has been one of the most watched round in Valencia in recent years.It is true that Ricardo CABALLER has accustomed us to a very high quality in their performances but this year's was, if anything, better than the previous.
The young designer Ricardo Caballer Cardo has continued to work on schemes already shown success, but by polishing and further refined, to achieve the right balance between quantity of material shot, timing, precision and cleanliness in the implementation.If we consider that this design was developed with the excellent material produced in its workshops, we can talk, both in its general outline and in most sections, a sublime Nit del Foc.
The show started with a quick set of shots of miscellaneous including volcanoes, peonies, chrysanthemums and Italian pieces in scale.Formed four sets with various effects (color, cracker, willow, intermittent, etc..) That are able to see features that would be a dominant note throughout the trip: flawless precision in time, variations on the overall structure to enhance the fire and more cohesive whole, a great material.After this opening shot is a section as a pre-final with many effects and sirens truenillo.
The first set of the central body was formed by flash shooting.Could be seen in orange, red and green and were accompanied, at a higher level, for small shocks of thunder that were speeding up the closure of the set.He continued by drawing an elegant gold palm heart.This time, RICARDO CABALLER chose not to provide platforms for firing most of the single shot (as usual in the shooting at Valencia in recent years), but used long tubes of fire, to achieve greater height in the shot without the need for additional structures.Meteors rose high and clean digital drawing the choreography perfectly planned, exceeding the height of the trees that usually hides this kind of effects in the awkward location Valencia.These digital effects that led to a coup d'cracker that was used to link to the next section that this effect would.It began at two heights, with dragon egg in the bottom and large spiders in the upper cracker.The facade and had created a small end with a foot of volcanic cracker and top two levels of cracker spiders (some of which opened their ends by way of Croset or tiles).
Before the last traces golden had started off with a new set, this time of magnolias at three heights.Even here the tricks in the air were ordered to appear fabulously central piece back with two side down, put all in place in every promotion.To the fury of the section but did not use large pieces magnolias white snowflake with a light glinting.This pattern of moving from a white magnolia in the same section that was something we had seen before Ricardo "junior".
After the geometric showed a set of luxurious pieces.The structure of your trip would be constant throughout the show, first fired Valencia opened two "V" and above them, crowned by a large Japanese.In this part it is worth noting the beautiful shells download willow scale change to white tip and the first of the Japanese: a large center and change Chrysanthemum.
Created, then a new facade, sequined white willow, which began at three levels and, in his outburst, achieved the four willow using change to white tip.Also emphasize on the top, large Chrysanthemum pistil shot in gleaming fuchsia melting quickly changed to white with sequins.That's split hairs.
The pace dominated the following composition in which parts of cartridge fired with color and truenillo focus, together with well scripted shots thunder.After this sound creation were used stealthy rise dual wheels.This time, the wheels alone were not fired but were combined with striking white cartetas off the pace on them.The intention was great to seek to enhance the composition but, in the opinion of the writer, perhaps the target of cartetas was too powerful for the subtle gold sequin wheel, killing some of their effect and giving the impression that these were less tail at other times.
This effect of jellyfish imperial wheels (recovering an ancient name) is the darling of the house RICH.Ricardo himself Caballer Estellés, parent of the maker, claimed in a television interview in his own way, just hours before the shooting, that "our double wheels are rising, they say, the best there is, and although we try to copy the and they go good, do not become like us.The trail that we us is special and a whole secret of the company.We are very proud of them ".And no wonder.The composition of cartetas wheels falling and rising, somewhat distracted attention from the jellyfish for the illuminating power and the authority of the striking cartetas.But it is true that, on the other hand, the intent of the crossfire (ascending and descending), had, in turn, play an important role as visual and choreographic composition.Had speech and that we also have to take into account when considering this section.
After that creation may discordant bright but full of speech composition, again, again, spangle.This time it was gold with blue tip, and was built on a new facade to four heights (four!) With large chrysanthemums Farfalla changed in a second.These latter pieces were superb and also included a blue margarita with gold sequins.
Followed with the colorful, also forming facade, with candles that changed color on every shot.On each climb all the candles (without failure, trips or any mixture), chose a new color to climb.The coloration of all this part was great, noticing only a certain impoverishment by making the auction with pieces of lower quality Croset.
After a rapid sequence of huge peonies with cross (shown for the first time last September by rich 2010 in Villaviciosa de Odon-Madrid), gave way to intermittent.Could be seen in black and fuchsia, shot about a foot candles of white sequin.Then he shot deluxe parts following the scheme described above.It was really beautiful the last chrysanthemum in Kamuro with pistil and lilac tip led to the section of the same effect.It ended with a huge auction of large.Then they would see a neat new digital creation meteor shot in different angles in alternate formations parallel to the sides and upward, after which hang lanterns.
After these begin the pre-final, first multicolored, in its final phase to turn white monochrome.This change was made so perfect: smooth flowing.Under the huge white pieces were added blows streamers and mermaids.This final was accelerating to end a magnificent apotheosis in white.It is very to praise this decision to end a show of this magnitude using a single color.This adds to trigger a note and dignified elegance that distinguishes it from most of the shots to use.Without stopping the fire, making a new control display of time, began the bombardment of thunder on the ultimate effects of the bombing even turned color.So in a way, sounding stressed the importance of air white apotheosis.This final sound, rooted as Valencia, was long and powerful and joined at its peak a short digital eared and white estudatas opening of two simultaneous with the explosion of the last thunder.All of this auction, as an accurate final section was done without interruption and in a superb.
Remember that in his last shot, the company had chosen RICARDO CABALLER disregard the (overloaded) digital locks herself became fashionable in his day, finishing his shots only with the old and traditional customary thunder downloads.Although this decision is respected, since this site was indicated in some criticism that concluded a great show with a blast of dry lightning, "a hair" without further enrichment or visual arts, could give the impression that there was little work in this end so important and far-reaching.Why is transcendental?Because, being the last thing the viewer sees, hears and feels, is precisely what makes it taste the bouquet or end of the show.It's the last bite and the taste, texture and quality mark the memory of the feast.A dry end, only thunder, without work and without elements of composition, may denote a certain abandonment of this part of closure.The entry in any document, print character as a handwritten signature is.And any artistic work is culminated, by the author, with his autograph impression that personalizes and distinguishes it from other.The heading given category and provides a quantum leap to signify and establish, without doubt, the author.And the same happens in a show so completely unique as the Nit del Foc 2011.Have not had this magnificent one heading last integrated into the final of the bombing of thunder, and failure to sound the great beast Sticking agonized long (the long bombardment), it had continued to live on in memory but not as a final solemnity.However, the master Ricardo Caballer Cardo added by integrating a colossal and as final brief section of the bombing, he managed to clothe, decorate and frame.And with its unique expertise is complemented perfectly all different parts of the end of a fireworks display contemporary apotheosis prefinal heading thunder bombing.Everything seemed to glide with absolute perfection and delicacy despite being a thunderous fireworks completion.
This last shot, to be artistic, especially if you purchased this particular name and separate category of "signature".And to be short, strong, clean and clear, at the same time elaborate, impressive and consistent with a shot of this kind, produced a dramatic revaluation of the shot just as well have put the final point, without resorting to endless choreographic effects that could have broken the tension created at this point.Furthermore, the targets heading married perfectly with the apotheosis white monochrome and even with white burst of thunder from the final bombing.All had the same color cut, the same make, and this made it even more elegant set.
With the image of the last pearls sliding down estudata white, silent, after finishing the bombing of thunder, concluded one of the finest firework displays seen in Valencia in recent years.