Castillo Pirotecnia Ricardo Caballer - Nit de Foc - Fallas 2011

heartworm

FPM Kalender Beheer
Medewerker
Lekkere show. M'n eerste live-ervaring vanuit de bedding.
Vooral de bommen en de manier waarop ze werden geschoten op 14:13 vind ik echt fabuleus!
Multi-colour dahlia with multi-colour comet go-getters ofzo! Lovely!
Dat deel met blink/photflash, met girandola's eronder is ook erg mooi!
Een bonte finale die in wit overging was een verademing! Heerlijk.

Qua show was dit voor mij nr.1, op korte afstand gevolgd door Europla die een zeer mooi kasteel schoot met minimale middelen en veel ''schone'' beelden
 

robvuurwerk

Registered User
Ricardo is niet alleen nummer 1 in Valencia maar voor mij echt de nummer 1 in de wereld. FENOMENAAL. en die finale ik heb er echt geen woorden voor wat geweldig. hoe bedenkt ie het en elk jaar overtreft ie zichzelf weer. Dank voor de prachtige beelden Toon. Volgend jaar hoop ik dit echt weer een keer mee te mogen maken. Genieten dit. heerlijk Rob
 

Tony

Administrator
Medewerker
Ricardo is niet alleen nummer 1 in Valencia maar voor mij echt de nummer 1 in de wereld. FENOMENAAL. en die finale ik heb er echt geen woorden voor wat geweldig. hoe bedenkt ie het en elk jaar overtreft ie zichzelf weer. Dank voor de prachtige beelden Toon. Volgend jaar hoop ik dit echt weer een keer mee te mogen maken. Genieten dit. heerlijk Rob

Alle credits voor het filmen van de avondshows naar naar Thomas.
Die loopt elke avond en nacht met de zware cameratas inclusief statief de stad door om de shows netjes te kunnen filmen.
HULDE!
 

edje30

Registered User
Geweldige show de beste in jaren, wat een GEWELD! HULDE aan Ricardo voor deze show en niet te vergeten Thomas voor het delen van dit geweldige spektakel Thanks mannen.......
 

Tony

Administrator
Medewerker
Piroart.com heeft 3 reviews van de Nit de Foc 2011. Reviews van mensen die ook altijd schrijven wat ze denken en vinden. Piroart.com is een zeer gewaardeerde website in Spanje en hun mensen zitten ook bij diverse competities in de jury. Als ik hun reviews lees dan kan ik alleen maar blijer worden dan dat ik al was na het zien van de nit de foc. Ik zit er gelukkig niet ver naast met mijn mening over Ricasa zijn shows en producten.

Geschreven door Mikel Pagola Erviti en vertaald van Spaans naar Engels
Anyone who knows anything about fireworks and attend the Nit del Foc 2011, he realized that this shot was not normal.It was not fire longer, or the greater amount of material, or the digitized, loud or excessive seen so far in Valencia.In.The crux of the matter was not in the numbers or powers.The importance of what we saw tonight with proper name pirical Nit del Foc, filed otherwise.After reading the excellent review of Victor Soriano Tarin, who dissects and explains perfectly justified, it is clear that we are talking about, ultimately, quality.No, and material quality or absence of fault in the shooting (not at all), but overall quality, overall.Roundness in the show: the sensation of fullness and perfection.

I would venture that this "Nit del Foc 2011" Ricardo Caballer Cardo has blossomed fireworks when you have just turned 34 years.Does not mean that peaked or most or best or shot, but it has the most technical and artistic age that has demonstrated with this fire.The review, at home, Valencia, has made it clear something we already knew: that the best fireworks (in shots), is the one that best uses the media and that better combines the result relation / material (quantity and quality of it).Thus, the resulting pyro-art global and pyro-technician, perhaps unprecedented in such a great show of fireworks in the square modern.

The combination of all possible parameters resulted in an all round underlined: redondísimo.Shooting slower than it had been doing "Ricardina" in its early years, coupled with a sense of perfection in the ignition, the composition of heights on a regular basis, the quality of the material (of course), and finally as accurate and compliant with current events, it left a taste sensation.The phrase "has been the best shot has never been on the river" and said it so sincerely improvised (you noticed the faces), even employees of the factory that night and the next day.And, for someone who really knows about fireworks, it was clear.

The show flowed.Ricardo had been naturally fit all, and also respected, almost entirely provided bordering on perfection, the role of fire in every moment, every special piece or each group.The visual rhythms and sounds followed one another, creating and died with absolute accuracy and naturalness.And that made them feel full to the public, even that does not have any idea of ​​fireworks.

For my part, so totally subjective, just rest him two things: one that particularly bother me truenillos effects of thunder or lightning in sections or flashes of color.In my opinion, there should outweigh the visual effect lighting and lack of sound that is intrinsic to this effect.That should be respected with lightning (and not the only fireworks that do not).Besides the flashes of thunder or smear bother to some degree to the colors of the flashes.No accompanying.There is a marriage.For my taste for light soiling and sound.Do not be afraid that in a section not hear explosions: they can not hear anything!The structure of the show and all of that in itself would be enriched, even to respect the idiosyncrasies merely light, again, the effect shown.Because if the problem is, say, which is "dull" how it looks, it's still not wanted to use this effect but nobility (range) required.Each effect has its own personality, its tempo and its own ways of showing off and in those with a character as strong as I mention, I think, a priori, must be respected.Another thing is that they want to play with the effect just not respecting it.If this is done deliberately, and if stable, then yes I think it's great.But this clearly was not the case.

The second "but" to have reached perfection is that since the site was not accompanying terrestrial effects could not be used.Had not worn.If it has been (with magic trees jets, for example), this castle himself would have been "the ultimate".

But make no mistake: these last two notes (one or minus one by default) in any way tarnish the whole, which was sincere and simple, full.The feeling that everything is tallied, that everything was in place, that everything went perfect and that everything was beautiful and precious, was total.It was noted from outside, noticed the audience responded enthusiastically (and who, incidentally, happily left it clap between sections), and the workers themselves noticed CABALLER RICARDO.And I was not disappointed.But to appreciate the luxury it does not take an expert in anything: just enjoy it, as was the case.

And to further make matters worse, the culmination, with white monochrome large and spectacular snow-covered, very luxurious, finished giving the feeling of shooting worked (as it was not because of requetevisto Miscelanea).But the final touch, the icing was already following the bombing linked below the white snow gave emphasis to the end of bombardment monochrome.And still did not stop that thunder leaving it to dry for a few seconds, and, surprisingly, initialed the show with effects on white with a white tracer scanning diligent crowned ray estudatas...That ended the thunder, the spiky and the last white color.

And, echoing the elegance reigned throughout the castle, Ricardo Caballer Cardo fire ended with no power, sound and power, but by the tears that fell last white above all that created it signed the final.They were somewhat slow its fall desapareciente the way down the curtain and turning off lights of this great work pyrotechnic means, in my opinion, a before and after for this great fireworks.



Geschreven door Juan José Solá Palmer
Superb surprise ending

RICARDO CABALLER booked us a very pleasant surprise for the final.Would not even reveal it in previous interviews that he conducted this digital portal dean of specialized information on fireworks in Spanish.This secret so well kept and surprisingly, was the final run with pearl white monochrome, color and blinks the same as on the same barrage of thunder (either before or after, but within), spiky white children studied in the same top-ray color.

Right from the start overall and during burning, we saw that the young teacher, Ricardo Caballer Cardo, had tried to print to your collection a point of difference from its previous shooting in this scenario.So perhaps made a more deliberate burning as recreating both the devices itself, as in the choreography itself, avoiding excessive technical showiness.This got a great touch of elegance and distinction.This also allowed in some moments, taste the various delicacies pirical better presented, and he also had the trigger for a longer period than at other times.All these changes, therefore, resulted in favor of shooting.

As a corollary or follower of the shooting and naturally, came the said final blank.After a minute and a half or so of pre-final multicolored house brand (with a variety of housing in height), with an excellent bed well fed low heat and thunder (whole set), it appeared that other final minute that we will keep to frame.

The transition to the target was extraordinary: not cut or break one, scene color disappeared and was pure white, bright, and with a good drop of pearl white of the upper parts.This launch endlessly abundant thunder.Began to mark this occasion a successful time with a barrage of white swirls.This final apotheosis of white pearl was also in the middle of huge white carpet set, white-flash.

The link to the beginning of a long barrage of thunder was well connected, overlapping the right on his boot to avoid breaking any.When he grew up the intensity, and without that would give him time to rest or we could think that everything was already said, drew on the thunder, a great white herringbone double estudata white rays in height, also coincided with the final rise of thunder (white glue).Thunder was the latter and, at the same time, vanish into the air the last head was tightly closed, no doubt about it, the colossal shot worthy of a "night of fire" so special for the Valencian Fallas and.

He was also a magnificent tribute to the victims of earthquake, tsunami and the nuclear disaster that is living and who RICARDO Japan lately CABALLER wanted to dedicate this great work.

Geschreven door Víctor Soriano Tarín
The shooting of "Nit del Foc" 2011 has been one of the most watched round in Valencia in recent years.It is true that Ricardo CABALLER has accustomed us to a very high quality in their performances but this year's was, if anything, better than the previous.

The young designer Ricardo Caballer Cardo has continued to work on schemes already shown success, but by polishing and further refined, to achieve the right balance between quantity of material shot, timing, precision and cleanliness in the implementation.If we consider that this design was developed with the excellent material produced in its workshops, we can talk, both in its general outline and in most sections, a sublime Nit del Foc.

The show started with a quick set of shots of miscellaneous including volcanoes, peonies, chrysanthemums and Italian pieces in scale.Formed four sets with various effects (color, cracker, willow, intermittent, etc..) That are able to see features that would be a dominant note throughout the trip: flawless precision in time, variations on the overall structure to enhance the fire and more cohesive whole, a great material.After this opening shot is a section as a pre-final with many effects and sirens truenillo.

The first set of the central body was formed by flash shooting.Could be seen in orange, red and green and were accompanied, at a higher level, for small shocks of thunder that were speeding up the closure of the set.He continued by drawing an elegant gold palm heart.This time, RICARDO CABALLER chose not to provide platforms for firing most of the single shot (as usual in the shooting at Valencia in recent years), but used long tubes of fire, to achieve greater height in the shot without the need for additional structures.Meteors rose high and clean digital drawing the choreography perfectly planned, exceeding the height of the trees that usually hides this kind of effects in the awkward location Valencia.These digital effects that led to a coup d'cracker that was used to link to the next section that this effect would.It began at two heights, with dragon egg in the bottom and large spiders in the upper cracker.The facade and had created a small end with a foot of volcanic cracker and top two levels of cracker spiders (some of which opened their ends by way of Croset or tiles).

Before the last traces golden had started off with a new set, this time of magnolias at three heights.Even here the tricks in the air were ordered to appear fabulously central piece back with two side down, put all in place in every promotion.To the fury of the section but did not use large pieces magnolias white snowflake with a light glinting.This pattern of moving from a white magnolia in the same section that was something we had seen before Ricardo "junior".

After the geometric showed a set of luxurious pieces.The structure of your trip would be constant throughout the show, first fired Valencia opened two "V" and above them, crowned by a large Japanese.In this part it is worth noting the beautiful shells download willow scale change to white tip and the first of the Japanese: a large center and change Chrysanthemum.

Created, then a new facade, sequined white willow, which began at three levels and, in his outburst, achieved the four willow using change to white tip.Also emphasize on the top, large Chrysanthemum pistil shot in gleaming fuchsia melting quickly changed to white with sequins.That's split hairs.

The pace dominated the following composition in which parts of cartridge fired with color and truenillo focus, together with well scripted shots thunder.After this sound creation were used stealthy rise dual wheels.This time, the wheels alone were not fired but were combined with striking white cartetas off the pace on them.The intention was great to seek to enhance the composition but, in the opinion of the writer, perhaps the target of cartetas was too powerful for the subtle gold sequin wheel, killing some of their effect and giving the impression that these were less tail at other times.

This effect of jellyfish imperial wheels (recovering an ancient name) is the darling of the house RICH.Ricardo himself Caballer Estellés, parent of the maker, claimed in a television interview in his own way, just hours before the shooting, that "our double wheels are rising, they say, the best there is, and although we try to copy the and they go good, do not become like us.The trail that we us is special and a whole secret of the company.We are very proud of them ".And no wonder.The composition of cartetas wheels falling and rising, somewhat distracted attention from the jellyfish for the illuminating power and the authority of the striking cartetas.But it is true that, on the other hand, the intent of the crossfire (ascending and descending), had, in turn, play an important role as visual and choreographic composition.Had speech and that we also have to take into account when considering this section.

After that creation may discordant bright but full of speech composition, again, again, spangle.This time it was gold with blue tip, and was built on a new facade to four heights (four!) With large chrysanthemums Farfalla changed in a second.These latter pieces were superb and also included a blue margarita with gold sequins.

Followed with the colorful, also forming facade, with candles that changed color on every shot.On each climb all the candles (without failure, trips or any mixture), chose a new color to climb.The coloration of all this part was great, noticing only a certain impoverishment by making the auction with pieces of lower quality Croset.

After a rapid sequence of huge peonies with cross (shown for the first time last September by rich 2010 in Villaviciosa de Odon-Madrid), gave way to intermittent.Could be seen in black and fuchsia, shot about a foot candles of white sequin.Then he shot deluxe parts following the scheme described above.It was really beautiful the last chrysanthemum in Kamuro with pistil and lilac tip led to the section of the same effect.It ended with a huge auction of large.Then they would see a neat new digital creation meteor shot in different angles in alternate formations parallel to the sides and upward, after which hang lanterns.

After these begin the pre-final, first multicolored, in its final phase to turn white monochrome.This change was made so perfect: smooth flowing.Under the huge white pieces were added blows streamers and mermaids.This final was accelerating to end a magnificent apotheosis in white.It is very to praise this decision to end a show of this magnitude using a single color.This adds to trigger a note and dignified elegance that distinguishes it from most of the shots to use.Without stopping the fire, making a new control display of time, began the bombardment of thunder on the ultimate effects of the bombing even turned color.So in a way, sounding stressed the importance of air white apotheosis.This final sound, rooted as Valencia, was long and powerful and joined at its peak a short digital eared and white estudatas opening of two simultaneous with the explosion of the last thunder.All of this auction, as an accurate final section was done without interruption and in a superb.

Remember that in his last shot, the company had chosen RICARDO CABALLER disregard the (overloaded) digital locks herself became fashionable in his day, finishing his shots only with the old and traditional customary thunder downloads.Although this decision is respected, since this site was indicated in some criticism that concluded a great show with a blast of dry lightning, "a hair" without further enrichment or visual arts, could give the impression that there was little work in this end so important and far-reaching.Why is transcendental?Because, being the last thing the viewer sees, hears and feels, is precisely what makes it taste the bouquet or end of the show.It's the last bite and the taste, texture and quality mark the memory of the feast.A dry end, only thunder, without work and without elements of composition, may denote a certain abandonment of this part of closure.The entry in any document, print character as a handwritten signature is.And any artistic work is culminated, by the author, with his autograph impression that personalizes and distinguishes it from other.The heading given category and provides a quantum leap to signify and establish, without doubt, the author.And the same happens in a show so completely unique as the Nit del Foc 2011.Have not had this magnificent one heading last integrated into the final of the bombing of thunder, and failure to sound the great beast Sticking agonized long (the long bombardment), it had continued to live on in memory but not as a final solemnity.However, the master Ricardo Caballer Cardo added by integrating a colossal and as final brief section of the bombing, he managed to clothe, decorate and frame.And with its unique expertise is complemented perfectly all different parts of the end of a fireworks display contemporary apotheosis prefinal heading thunder bombing.Everything seemed to glide with absolute perfection and delicacy despite being a thunderous fireworks completion.

This last shot, to be artistic, especially if you purchased this particular name and separate category of "signature".And to be short, strong, clean and clear, at the same time elaborate, impressive and consistent with a shot of this kind, produced a dramatic revaluation of the shot just as well have put the final point, without resorting to endless choreographic effects that could have broken the tension created at this point.Furthermore, the targets heading married perfectly with the apotheosis white monochrome and even with white burst of thunder from the final bombing.All had the same color cut, the same make, and this made it even more elegant set.

With the image of the last pearls sliding down estudata white, silent, after finishing the bombing of thunder, concluded one of the finest firework displays seen in Valencia in recent years.
 
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DioR

Registered User
@bridge en Dior,

Laten we het hier aub over vuurwerk hebben en houden. We zitten niet te wachten op een discussie die over Libie gaat of een ander land waar momenteel veel doden vallen, dat is al erg genoeg!

Het was mij ook niet de bedoeling om hier een discussie van te maken. Ik probeer alleen aan te geven dat dit geweld van Ricardo Caballer echt gruwelijk is. (maak geen vergelijking met kaliber militair en vuurwerk... rare vergelijking)
 

USRRobiwan

Registered User
Tranen met tuiten en joelen van emotie om 23:48 op 4 juni 2011... Een vriendin die verschrikt uit de slaapkamer komt en vraagt of ik ergens pijn heb en waarom ik huil...

Het enige wat ik kan uitbrengen is; "zoo mooi.. zo fantastisch moooi..."
 

mickeyzegtboem

Registered User
Tranen met tuiten en joelen van emotie om 23:48 op 4 juni 2011... Een vriendin die verschrikt uit de slaapkamer komt en vraagt of ik ergens pijn heb en waarom ik huil...

Het enige wat ik kan uitbrengen is; "zoo mooi.. zo fantastisch moooi..."

Snif, dit zijn de reacties!
Nu weten we het allemaal weer waarom we het doen!
 

Tony

Administrator
Medewerker
Wij heten alle nieuwe members welkom maar ook de members die een tijdje snipperen van FPM hebben genomen. We kicken deze film omhoog omdat je die GEWOON gezien MOET hebben!

Veel Plezier!
 

Michel_G

Zilveren Member
Tja, ik word nog steeds stil als ik deze show weer terug zie..... Fallas 2010 was mijn eerste jaar, waarop Ricardo al een fantastische show schoot, de avond voor de Nit de Foc. Geweldige show was dat, heerlijk agressief, vol en overweldigend.

Toch was deze show, van een heel andere klasse om live mee te maken..... De show zat zo geweldig in elkaar, zo subtiel, zo harmonieus tot soms ontzettend overweldigend. Tijdens de show kreeg je een bepaalde emotie mee, gewoon door de prachtige combinaties en producten op precies de juiste momenten... Zo subtiel, maar toch zo gaaf! Een show die voor mij echt (bijna) perfect in balans was!

Ik heb echt na de show letterlijk een kwartier met kippevel rondgelopen... Gewoon ook 10 minuten geen zinnig woord kunnen zeggen over de show, zoveel ging er in mij om.... Mijn mond ging wel open, maar meer dan een "wow" of "pfff" kwam er niet uit... Zelfs een half uur later als ik er aan terug dacht en weer in op ging, voelde ik letterlijk een rilling lopen van mijn tenen tot aan mijn nek.

Echt een belachelijk mooie en uitgebalanceerde show en ondanks dat de film prachtig is, doet het eigenlijk de show nog tekort zoals ik hem live ervaren heb.... Dit is letterlijk zo iets wat je moet in het echt moet beleven....
 
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D-Joriz

Registered User
echt weer een bizarre show.. ik vraag me af voor hoeveel hier wel weer de lucht niet word ingeschoten.
er maar maar 1 soort werk waar ik kippenvel van krijg ... en das vuurwerk!

en op 6.51 min SOW haha prachtig!!
 

Tony

Administrator
Medewerker
echt weer een bizarre show.. ik vraag me af voor hoeveel hier wel weer de lucht niet word ingeschoten.
er maar maar 1 soort werk waar ik kippenvel van krijg ... en das vuurwerk!

en op 6.51 min SOW haha prachtig!!

Rond de 50 a 60.000euro verkoopprijs.
 

Tony

Administrator
Medewerker
En hoeveel in een karton? :tounge:

Echt mooi werk, ik vraag me af of je wel eens terugkoppeling krijgt op de gefilmde beelden van de pyrotechnici die dit afgeschoten hebben?

Van de meeste wel.
De bedrijven die de avondshows schieten krijgen ook elk jaar een exemplaar in de bus. Dit doen we ook met de andere festivals.
 

sprinkhaan

Registered User
Dan is het best wel dankbaar werk om dit te filmen en daar respons op terug te krijgen, dat maakt het extra leuk lijkt mij.
 

Tony

Administrator
Medewerker
Dan is het best wel dankbaar werk om dit te filmen en daar respons op terug te krijgen, dat maakt het extra leuk lijkt mij.

Dat is ook zo. Maar we zijn ook blij als onze members reageren want uiteindelijk doen we voor hun alle moeite.
De schieters, het blijft een apart slag mensen :)
 

sprinkhaan

Registered User
Haha ,dat geld niet alleen voor hier. Zit zelf op een schietveniging, je weet niet hoe toepassend je uitspraak is. :hehe!:
 

Wolff_freak7

Registered User
Zat deze film nog eens terug te kijken, wat een geweldig spektakel woorden schieten te kort!
maar wat ik me afvroeg als je kijkt naar de shell die op 16:40 geschoten wordt hoeveel inch is zo'n shell?
dat is ook het grootste kaliber wat ze schieten volgens mij.
 
Bovenaan